Kanishka Jayasekara

I am a cinematographer and audio engineer based in Sri Lanka. With over a decade of experience across feature films, commercial campaigns, and music videos, my passion lies in translating complex narratives into striking visual compositions. Every frame is a canvas, and light is the brush.

Experience & Awards

Industry Experience

Managing Director
Octave Studio
Cinematography Instructor
Loku Business Skills
Guest Lecturer & Instructor
University of Peradeniya, Colombo & Kelaniya Conducted 150+ sessions on video production, cinematography, editing & audio engineering.

Awards

2024 SGBVC Short Film Competition by AAUP
“The Stranger” — 3rd Place
2023 Let My Country Awake Short Film Competition
University of Peradeniya • “The Flower of May” — 3rd Place
2019 My Rode Reel
Sri Lanka representative for short film

Selected Works

Stills Gallery

Cinematic Still
Neon Nights
Cinematic Still
The Desert Shoot
Cinematic Still
Vintage Lens
Cinematic Still
Studio Setup
Cinematic Still
Urban Decay
Cinematic Still
Golden Hour
Cinematic Still
Action Rig

Journal Notes

Blog Post
April 17, 2026

A New Dawn for Sri Lankan Cinema

There is a palpable energy humming through the Sri Lankan film industry right now. After years of navigating challenges, we aren't just recovering—we are reinventing.

The most inspiring shift is the rise of a fearless new generation of filmmakers. From the success of student-led festivals like Kagura 2026 to the international spotlight shining on the Jaffna International Cinema Festival, our stories are becoming bolder and more diverse. We are seeing a beautiful blend of "rich" art-house narratives and commercial hits that are bringing audiences back to the big screen in record numbers.

Technologically, the game has changed. High-end cinematography is more accessible than ever, allowing us to capture our island’s soul with world-class precision. With new legislative moves toward censorship-free classification, the creative space is finally opening up for honest, raw storytelling.

It feels like we’ve moved past simply making "local films" and have started creating global cinema with a Sri Lankan heartbeat. There’s a shared sense of pride on set these days; we aren't just capturing frames, we’re capturing a resurgence. The future of our industry isn't just bright—it’s visionary.

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Blog Post
June 27, 2024

The Magic of the Anamorphic Look

There is a specific kind of magic that happens the moment you mount an anamorphic lens. It’s not just about a wider frame; it’s about a feeling. For those of us chasing that true "cinematic vibe," anamorphic glass is often the secret ingredient that transforms a digital recording into a piece of living art.

The characteristic oval bokeh and those iconic, horizontal blue flares create an organic texture that modern, ultra-sharp spherical lenses sometimes lack. There’s a beautiful "imperfection" to the way anamorphic glass renders the world—the slight distortion at the edges and the shallow depth of field give the image a dreamlike, immersive quality. It mimics the way we remember stories rather than how we see reality.

In our local productions, using these lenses forces us to think differently about composition. You aren't just filming a scene; you’re crafting a wide-screen experience that pulls the audience into the atmosphere of the story. It brings a sense of scale and "prestige" to the image that immediately tells the viewer: this is cinema.

While the gear can be heavy and the focus pulling a challenge, the result is always worth the effort. It’s about more than just "looking professional"—it’s about capturing a soulfulness that stays with the audience long after the credits roll.

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Blog Post
March 2, 2019

The Art of Chasing the Sun

There is something deeply honest about working with available light. While a truck full of artificial fixtures offers control, leaning into the sun, the shadows, and the practical glow of a room brings a unique, breathing intimacy to a frame. For me, cinematography has always been about observing reality rather than manufacturing it.

Using natural light requires a different kind of discipline. It’s a dance with time—waiting for that perfect "golden hour" or finding the way a window spill shapes a face. It forces us to be more present on set, reacting to the environment as it changes. This approach doesn't just look organic; it feels human. It strips away the artifice, leaving a raw, tactile connection between the subject and the lens.

In our local landscapes, where the light can shift from a harsh midday glare to a soft, moody monsoon mist in minutes, there is a wealth of texture to tap into. By choosing available light, we embrace the "happy accidents" that artificial setups often polish away. It reminds us that sometimes, the most cinematic lighting isn't something we plug into a socket—it’s the world just as it is.

What’s your favorite time of day to shoot when you’re relying purely on the sun?

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Let's Collaborate

Available for worldwide assignments ranging from narrative features to high-end commercial campaigns. Let's create something beautiful together.